ENSEMBLE ACJW FEBRUARY 2013 PROGRAM
Featured Guest Composer: Missy Mazzoli
Friday, February 15, 2013
7 p.m. Pre-performance Discussion
8 p.m. Performance, Helen Filene Ladd Recital Hall, Arthur Zankel Music Center
CONCERT PROGRAM
MISSY MAZZOLI, Set That On Fire (World Premiere, commissioned by Carnegie Hall)
FRANCIS POULENC, Sextet for Piano and Winds
JOHANNES BRAHMS, Trio in E-flat Major for Violin, Horn and Piano, Op. 40
Presented by the Department of Music and the Office of Special Programs
Residency made possible by generous support from Anna-Maria and Stephen Kellen Foundation
A fast-rising composer on the contemporary music scene, Missy Mazzoli's talent draws
audiences equally into concert halls and rock clubs. Her unique music reflects a trend
among composers of her generation who combine styles, writing music for the omnivorous
audiences of the 21st century. She inhabits a gorgeous and mysterious sound-world
that melds indie-rock sensibilities with formal training from Louis Andriessen, Martijn
Padding, Richard Ayers and others. Practically speaking, she amasses music in layers
not normally found together but in ways that create matchless vertical harmonies.
Recently deemed "one of the more consistently inventive, surprising composers now
working in New York" by the New York Times and "Brooklyn's post-millennial Mozart" by Time Out New York, her music has been performed all over the world by the Kronos Quartet, eighth blackbird,
the American Composers Orchestra, New York City Opera, the Minnesota Orchestra, the
South Carolina Philharmonic, NOW Ensemble and many others.
Upcoming projects include a new orchestral work for the Detroit Symphony, another
quartet for Kronos and a piece for Ensemble ACJW. She was recently appointed composer-in-residence
for the Opera Company of Philadelphia. In this position she will have the opportunity
to follow a personalized, three-year development track focused on the advancement
of her career as an operatic composer.
In addition to the critically acclaimed premiere of her opera Song from the Uproar during the 2011鈥�12 season, Mazzoli was a composer-educator partner for the Albany
Symphony. There she heard the premieres of an expanded version of her orchestral work
Violent, Violent Sea as well as world premiere of Holy Roller, which Albany Symphony commissioned.
Her music has been featured on numerous festivals including the 2007 and 2009 Bang
on a Can New Music Marathon, the Cabrillo Festival (Santa Cruz), the Gaudeamus New
Music Festival (Amsterdam), the Ecstatic Music Festival (New York) and the ZOOM Young
Composers series at New York's Merkin Concert Hall.
She is the recipient of four ASCAP Young Composer Awards (2007 through 2010), a Fulbright
Grant to the Netherlands (2002鈥�04) and grants from the Jerome Foundation, American
Music Center and the Barlow Endowment. In 2006 Mazzoli taught composition in the Music
Department of Yale University, and from 2007 to 2010 was executive eirector of the
MATA Festival in New York City, an organization dedicated to promoting the work of
young composers.
Mazzoli is an active pianist and often performs with Victoire, an "all-star, all-female
quintet" (Time Out New York) she founded in 2008 dedicated exclusively to her own compositions. Their debut EP
was named one of 2009's 10 best classical albums by Time Out New York. Their debut full-length CD, Cathedral City, featuring eight of Mazzoli's new works, was released on New Amsterdam Records in
September 2010 and received positive reviews from the classical and indie rock communities
alike. Mazzoli attended the Yale School of Music (M.M. 2006), the Royal Conservatory
of the Hague (postgraduate studies 2002鈥�04) and Boston University (B.M. 2002). Her
principal teachers were Louis Andriessen, Martijn Padding, Richard Ayres, David Lang,
Martin Bresnick, Aaron Jay Kernis, Charles Fussell, Richard Cornell, Martin Amlin
and John Harbison.
Missy Mazzoli's music is published by G. Schirmer, Inc.